Archive for the ‘Music’ Category
This post was scribed by my boy @LylevsTony. If all goes according to plan *rubs hands together diabolically* you’ll be seeing more from him (and more from me, ha!) here. Enjoy this post.
Well, the fuss is over. Thank Me Later has dropped and the hype has died down…considerably. We went through a period of projected sales, endless spins on the radio *Tell meeeeee what’s really goin’ on*, and of course, the haters. In fact, the haters came out in full force (riot gear included). Still, that is to be expected for someone who has come pretty much out of nowhere, aka Canada, to end up holding The Game in a Figure Four Leg Lock, or Sharpshooter depending on your move-set. I kind of like the album, but many, many, many, people feel otherwise. The number one complaint I have come across is: “He sings too much,” which more or less equals: “It’s waaaaay too soft.” My reaction always looks something like, -_- . Did everybody else miss the fact that a while back, he nicknamed himself Heartbreak Drake? That’s a pretty big indicator of what to expect as far as content goes. If I play a track where Fabolous calls himself “Funeral Fab,” I’m sure that somewhere along the line, there will be death in his lyrics. Similarly, if Heartbreak Drake drops an album, I would be more than surprised if I thought I was listening to Beanie Sigel’s The Truth. Let’s be honest; Drake is not coming Straight Outta Compton, and I doubt he knows Who Shot Ya. In fact, unless I missed it, he never tried to position himself in that light anyway. As far as I’m concerned, he’s just a dude with bars who also happens to sing. Very often.
Here’s a challenge: listen to So Far Gone again. For those who don’t know, that’s the title of the mixtape that propelled him from the depths of the underground onto the main stage(s). At the time, it was more than refreshing; it was what we needed. Ripe with punchlines and variety, it featured some of the biggest names (Weezy, Bun B), as well as some names unknown to many (Lykke Li). Still, not too many that it seemed crowded. Overall, it was good music (no Kanye). Now that I think about it, I think I’ll put that on now. #pressplay. It only takes the first 2 or 3 tracks to get the gist of Drake’s style: a rapping-singing hybrid thing. This is definitely not a bad angle. So, why is it that So Far Gone was revolutionary and original, while Thank Me Later was “too soft?”
One word: Flow.
A friend of mine *cough* @Meezyy *cough* brought this simple problem to my attention. In an entry over at his blog, SongZige, he inferred that the overall flow of the album was off. The track listing seemed erratic and, therefore, made the album less enjoyable than it should have been. He even went as far as to rearrange them in an order he believed to be better more suitable. Eureka! @Meezyy’s Thank Me Later was better than Drake’s Thank Me Later after simply switching the order of the songs. How can this be?! The kid’s got talent…seriously, the kid’s got talent.
Alas, there will always be those who will forever prefer bang-bang-shootem-up-pitchin-rocks-on-da-corner music. That’s perfectly fine with me, but even though Styles P is at-bat on my iPod, Lupe is on deck, and Wiz Khalifa is warming up. It’s safe to say that the new generation of Hip-Hop heads is more than willing to make room for so called, “soft rappers.” I’m also pretty sure there was a similar backlash when gangsta rap came on the scene. Then again, music has always evolved to suit the times (see: Fight the Power and/or F*ck the Police). Either way, the stars have pretty much aligned in favor of Aubrey “Drake” Graham, and I’m interested to see how it all turns out. Who knows; maybe like mainstays such as Jay-Z, people will start really appreciating the 1st album further in his career. He may actually receive some gratitude down the line…or Grammys. After getting through that media circus, I will no longer let these things take over my life. *cross my heart* Now, if you’ll excuse me, SportsCenter’s on. I have to catch up on Lebronocalyse.
Brilliant. Aside from the visual overload that is this video–and it truly is an overload–this is marketing heaven for Jay-Z. The biggest name in Hip Hop is garnering even more attention to start off the new year with his latest video. Directed by Sam Brown, the video is absolutely packed with imagery that leads the viewer wondering whether there is more to the video than meets the eye. Seriously. The video’s release was immediately followed by speculation about the “deeper meaning” behind the video. Was this proof that Jay-Z is down with secret societies and the Illuminati? The YouTube experts crept out the woodwork, proclaiming emphatically parts of the video they viewed as proof of his affiliation.
I’m pretty sure this is what Jay-Z wants.
There’s no question that Jay-Z, the director, and the rest of the team behind this video intentionally packed this video with imagery. Jay-Z is more than aware of the rumors going around the internetz regarding his possible affiliations. He is pouring more gas on the flame with this video. He’s having fun with us. As we take to the forums and play detective on twitter, he’s reaping the benefit of the publicity this is all generating.
At the end of the day, it’s a damn video. Simply because Jay-Z put strange images in the video doesn’t automatically translate into devil worship and secret societies. I’m just not ready to make that kind of speculative jump. People need to relax on jumping to conclusions simply because you see something you don’t understand. Maybe the images mean something to him. Maybe they don’t. At the end of the day, though, this is baby food compared to the kind of imagery has been prevalent in metal music for years. Not to mention, they’re visuals are often accompanied by MUCH darker lyrical content. Nobody really says anything about their blatant promotion of anti-christian material.
So, even though I think people are reading way too much into this, I’ll leave you with a comment I saw on a thread that DOES make sense. Regarding the imagery in the video:
This ain’t something you play with or just come off the top of your dome with. These are real sciences and organizations and just like street gangs, you will get your top peelt for false flagging.
_Try_ and enjoy the video.
Secret Society: A NikeTalk Fam Production features songs from Wale, Fashawn, Blu, G.o.D Jewels, Mr. Jefferson, Cashtro Cosby, Hi-Jynx and many more. Thanks to Random Acts of Flyness, Crack of Dawn, The Real Just and Joe Galvan for putting this together. The production is pretty dope too.
Nice way to kick off the year. Not primarily a music blog but when something goes hard, I’m posting it. Check out this banger from the Nike Talk click: